{"id":1864,"date":"2011-10-05T09:40:08","date_gmt":"2011-10-10T10:13:31","guid":{"rendered":"http:\/\/ugbih.ba\/archive\/?page_id=1864"},"modified":"2011-11-02T12:02:57","modified_gmt":"2011-11-02T12:02:57","slug":"vojo-dimitrijevic","status":"publish","type":"page","link":"https:\/\/ugbih.ba\/en\/learn\/highlights\/vojo-dimitrijevic\/","title":{"rendered":"Vojo Dimitrijevi\u0107"},"content":{"rendered":"<p>By analysing the exhibition, one can detect a visible, although not obvious, thread that allows one to follow a few artists throughout their opus, such as the one of the noteworthy Vojo Dimitrijevi\u0107. One can follow his works from his early days of revolutionary youth (\u201cSpain 1937&#8243;, 1938, &#8220;Portrait of Painter Ismet Mujezinovi\u0107&#8221;, 1939), throughout his adulthood creations that were calmer in their motives and forms (\u201cA Street under Snow\u201d, 1951) and then finally to his mature works at age of 63 and onwards where he has embraced abstraction (\u201cMessages\u201d, 1973). However the artist works come to life once again with Braco Dimitrijevi\u0107\u2019s installation (\u00abTriptychos Post Historicus\u00bb, 1982) that serves almost as his reincarnation. Each of these paintings contradicts the others, and it seems absolutely incredible that they were all signed by the same hand.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By analysing the exhibition, one can detect a visible, although not obvious, thread that allows one to follow a few artists throughout their opus, such as the one of the&#8230;<\/p>\n","protected":false},"author":1,"featured_media":1257,"parent":1858,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-1864","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/pages\/1864","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/comments?post=1864"}],"version-history":[{"count":2,"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/pages\/1864\/revisions"}],"predecessor-version":[{"id":2236,"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/pages\/1864\/revisions\/2236"}],"up":[{"embeddable":true,"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/pages\/1858"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/media\/1257"}],"wp:attachment":[{"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/media?parent=1864"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}