{"id":2492,"date":"2013-05-12T13:09:39","date_gmt":"2013-05-14T08:19:07","guid":{"rendered":"http:\/\/ugbih.ba\/?p=2492"},"modified":"2013-05-14T08:19:07","modified_gmt":"2013-05-14T08:19:07","slug":"exposures-presentation-of-spaport-international-annual-exhibition-of-contemporary-art-and-exhibition","status":"publish","type":"post","link":"https:\/\/ugbih.ba\/en\/2013\/05\/12\/exposures-presentation-of-spaport-international-annual-exhibition-of-contemporary-art-and-exhibition\/","title":{"rendered":"EXPOSURES- Presentation of SpaPort \u2013 International annual exhibition of contemporary art and exhibition"},"content":{"rendered":"<p>This two years long project represents an exception of the ordinary curatorial praxis of annual or thematic exhibitions showing the artists\u2019 final works. The new methodological model, which was introduced and successfully implemented, is based on the collective process of researching the wider context (political, social, intellectual) in which the art performs. In the final part \u2013 EXPOSURES \u2013 there were publicly shown all the phases of the work that the curators (altogether with numerous actors \u2013 participants in this two years long work in progress articulated through the debates, workshops and, in the end, the exhibition.<\/p>\n<p>The main topics of the first part of the project \u2013 CAN YOU SPEAK OF THIS? YES, I CAN &#8211; were: \u201cissue of collaboration, complicity, trauma articulation, issue of exile and returning, memory politics, language politics, politicization of art versus culturalization of politics. These issues, in the second part \u2013 EXPOSURES \u2013 through group gathering and generating of new, temporary communities of the artists, theoreticians, students and curators, become the groundwork of new collaborations initiating thus creation of the new vocabularies.\u201d<\/p>\n<p>During the exhibition, organized in the abandoned structure of the \u201cRudi \u010cajavec\u201d factory, besides individual and group artworks and interventions, there were held series of public debates, presentations of the results of two years long research \u2013 film and video screenings, theatre shows footages. The majority of participants were coming from Banja Luka, Mostar, Tuzla, Trebinje, Sarajevo, Bosnian and Herzegovinian diaspora, Zagreb, Belgrade and Pristine.<\/p>\n<p>The exhibition is consisted of the selection of the works already presented in EXPOSURES.<\/p>\n<p>Participants:<br \/>\nMonument Group \/ 4 Faces of Omarska (Belgrade), Lala Ra\u0161\u010di\u0107 (Sarajevo), Vahida Ramujki\u0107 (Belgrade), Anja Bogojevi\u0107 and Amila Puzi\u0107 (Abart, Mostar),Sandra Duki\u0107 and Boris Glamo\u010danin (Banja Luka),Igor Bo\u0161njak (Trebinje) <\/p>\n<p>Selector: Dunja Bla\u017eevi\u0107<br \/>\nPresentation: Radenko Milak (Banja Luka)director of Protok, Centre for Visual Communication from Banja Luka and the project SpaPort<\/p>\n<p>Vernissage: 14. Mai 2013. at 19h<br \/>\nPresentation: 15. Mai 2013. at 12h<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This two years long project represents an exception of the ordinary curatorial praxis of annual or thematic exhibitions showing the artists\u2019 final works. The new methodological model, which was introduced&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"categories":[10],"tags":[],"class_list":["post-2492","post","type-post","status-publish","format-standard","hentry","category-press-clippings-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/posts\/2492","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/comments?post=2492"}],"version-history":[{"count":1,"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/posts\/2492\/revisions"}],"predecessor-version":[{"id":2493,"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/posts\/2492\/revisions\/2493"}],"wp:attachment":[{"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/media?parent=2492"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/categories?post=2492"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/tags?post=2492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}