May 24 \u2013 June 9, 2018<\/p>\n
Dragana Antoni\u0107, the author of the exhibition \u201cStudy of Nude\u201d strives to give a contribution through her own creative work or, more precisely, to confirm that by using technical-technological expressive features of digital photography and the process of its subsequent digital processing, the nude can be treated as an authentic visual and stylistic form within the unique author’s handwriting.<\/p>\n
\u201cIf the culture of the twentieth century is marked by the vulgarisation of the human, primarily the female body, where it becomes the subject of commercialisation, banalisation and dark pornography, the works of Dragana Antoni\u0107 reveal the desire to give that body an aura of spirituality, because what is our body if not a house of spirit? These nudes are the essence, the concentrate of bodily beauty, because they distinguish the lines of the divine light from the darkness of life. This spiritual erotica, sung of in the greatest poems, is manifested here through clear lines, flashes, which celebrate the aesthetics of what is transient and mortal. The works of Dragana Antoni\u0107 are captured moments and praise of this transient and unforgettable beauty.\u201d (Mile Stoji\u0107, translated by Hana Logo)<\/p>\n
\u201cUnderlying the concept of \u2018study\u2019 is a deliberate, reflexively controlled process of observation, object or theme analysis, and selection of image elements, their structural\/compositional organisation, interaction, and\/or reduction. The thematically seductive theme of the nude (an \u2018eternal theme\u2019 in the non-transparent spectrum of variations as well as cultural and anthropological contextualisations in the artistic and historical experience) in Dragana Antoni\u0107\u2019s study of the nude is illuminated in the author\u2019s special perspective \u2212 in a unique light event. More specifically, Dragana Antoni\u0107 reaches into the very substance of the photographic image, into light (which, in turn, cosmologically, psychologically and ontologically) constitutes the creative primordial element of the world, the building pre-matter of Everything, the visibility of the world and human experience.\u201c (Sulejman Bosto, translated by Hana Logo)<\/p>\n","protected":false},"excerpt":{"rendered":"
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