{"id":6059,"date":"2021-02-19T12:10:10","date_gmt":"2021-02-19T12:10:10","guid":{"rendered":"https:\/\/ugbih.ba\/2021\/02\/19\/seremet-luka\/"},"modified":"2021-02-19T12:10:10","modified_gmt":"2021-02-19T12:10:10","slug":"seremet-luka","status":"publish","type":"post","link":"https:\/\/ugbih.ba\/en\/2021\/02\/19\/seremet-luka\/","title":{"rendered":"\u0160eremet Luka"},"content":{"rendered":"<p><strong>LUKA \u0160EREMET<\/strong><\/p>\n<p>(Livno, 18. 10. 1902 \u2013 Zagreb, 1932)<\/p>\n<p>&nbsp;<\/p>\n<p>In comparison to his brother Ivo, Luka \u0160eremet manifests his artistic expression through watercolour painting. The technique of watercolour requires skill, patience and precision. The shades of colours ranges from the lightest and most transparent, to darker and thicker layers.<\/p>\n<p>Luka \u0160eremet has finished his high school education at Sarajevo Realka (Druga gimnazija) and in 1929, he graduated from the Academy of Fine Arts in Zagreb.<\/p>\n<p>In the beginning of XX century, the main ambition of every serious painter from the region was to study at the European academies of fine arts. The life in a European city and a student experience in it, was offering a look into the modernist artist scene. Luka \u0160eremet had the intention to go to Europe and experience this kind of life there, but sadly his recent death had prevented him in his intentions.<\/p>\n<p>The motifs of his paintings are interiors of taverns, city streets and houses. This reveals that Luka \u0160eremet was a painter who strived to capture the modern city life. Frames of his paintings are often cut off (e.g. Motif from Konjic) and done in small formats, but they show specific city sites.\u00a0 In his work \u2018Self-portrait\u2019 we notice the youthful pride and self-confidence.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>LUKA \u0160EREMET (Livno, 18. 10. 1902 \u2013 Zagreb, 1932) &nbsp; In comparison to his brother Ivo, Luka \u0160eremet manifests his artistic expression through watercolour painting. The technique of watercolour requires&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-6059","post","type-post","status-publish","format-standard","hentry","category-uncategorized-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/posts\/6059","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/comments?post=6059"}],"version-history":[{"count":0,"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/posts\/6059\/revisions"}],"wp:attachment":[{"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/media?parent=6059"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/categories?post=6059"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ugbih.ba\/en\/wp-json\/wp\/v2\/tags?post=6059"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}